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im no expert, but i think i can safely assume this is not how 2383 kodak looks.. thanx for demonstrating that lut, though

Hi Jon, great HDR look! Where can we find that Rochester LUT ?

Is this insane or what?

What tripod is that?

I never knew that I can be this happy in Saigon

Project Settings: daejeonchronicles.com/2024/06/28/hlg-for-social-media-using-macbook-pro-with-apple-silicon-davinci-resolve-studio-19-settings/

Great work . May i know more about lens. Are they full frame ?

Alexa 35 Encounters Sample Clips: www.arri.com/resource/blob/297210/17b095dc68842f8dca22f614810e0134/alexa-35-encounters-sample-logc4-clips-data.pdf

Wow! What did you think of it?

Love it Sir. Thanks 👍🏾

To learn the workflow: daejeonchronicles.com/2024/06/24/how-to-work-with-cullen-kellys-luts-in-davinci-resolve-studio-19/

Could you please share the DaVinci HDR process of ProresRaw - Cdng+ Dehancer? Thank you very much!

You will only see differences if you have 900nits display. If you have 400, you will see everything the same. if you have 600, wou will see the differences between 400 vs 600 If you have 900, you will see all the diffrences.

This is so incredible helpful thank you so much sir!

looks great! Did you buy the a7s3 again?

WAS THE RED THE KOMODO?

nice footage, which red camera do you know?

Is there a different setting you use to get this to work on Instagram? It works great for me on RUclips, but no matter how many times I try I can't get it to work on Instagram, it just end up horribly flat and washed out. Raw iPhone clips shot in HDR work fine, but anything exported from Resolve in HDR or even Final Cut Pro X in HDR refuses to work for me.

Have you tried or had better results disabling the “Camera LUT” in compressor, making a custom preset, so you can do any form of color grading before the color space transform in Resolve?

Looks very good, and i like the lens too, sharp and nice bokeh!

Which reference monitor do you currently use? What do you think about using the new iPad Pro Ultra Retina XDR display as a reference monitor for HDR?

Just FYI for anyone: that "RAW Converter" utility that's on the Windows & macOS app stores in my experience messes with the colors and presents them wrong. I think it ignores or re-writes a bit of metadata about the color primaries of the bayer filters or something, not quite sure. Utilities like Assimilate Scratch (or Play Pro Studio), Final Cut, and Adobe stuff (such as media converter) all seem to handle ProRes RAW correctly. The cDNG files converted with Assimilate look correct in Resolve, but the cDNGs from that free app store utility looked wrong for some reason.

are you using the drop in filters?

Why not use ACES?

I do 3:1 or 4:1 minimum on my Gemini because for have the Video with Max details when she is done.

too short :)

Recording of Sony Bravia A95L for an upcoming blog post about an as yet unrealized benefit of ultra high definition TV.

Most colorists (the person on a post producito facility, that delivers the color and ultimate brightness and contrast to an image) work on monitors that deliver about 1000 nits (git or take 100 nits). This is a conundrum since images appear bright and with correct levels of blacks at these professional monitors. SO HDR is still a no mans land when delivering these pictures (shows, movies) to the final viewer since there are so many TVs that are selling as HDR which are not capable of reaching 700 nits at tops. This is frustrating for the viewer and also creatives porducing this images. So... what are the point on HDR after all?

I'm in total disbelief over your footage and especially the GH4 ones. Now I understand why your komodo footage looks so good

I want to ask something. When grading in HDR, does the raw image out the camera automatically tonemap to HDR levels 0-1000 using ACES 1.3 in Resolve? Davinci YRGB Color management does tonemap my RAW DNG to HDR levels, but ACES doesn't. Is this normal?

I'd love ur take. Pro/cons etc.. Based on ur videos it seems u appreciate mostly the Pro's. I'd say u know how proper HDR is wonderful thing when implemted well.. But I'm curious of both pro's & cons. 👍

HDR is a beautiful new tool for the trade. When used properly & with natural & well chosen intent of the user(s) to convey moment(s) in PQ , whether that's an emotion, more dynamic representation of the light in a scene or on an object.. Perhaps convey the beauty of nature or wow a person with magical effects. Its not forced & should be taken out of the toolbox & played with & put to use at the right time..as often as desired. Perhaps a studio will force u to make an HDR version of ur creation. Hopefully u can share ur SDR version or lower brightness version but that's on case by case basis up to all parties involved. Definitely can't understand hating it. If not forced on you & u can choose max nit level, all should be just fine & hopefully even more impactful .. Even if very slightly. Definitely watched poor HDR & that can be distracting.. But when u video done right it's wonderful. Its still new technology & it's worth the bad HDR for a future of amazing HDR. That's just for general home viewing not mention all the benefits it has outside the home.

ive never used a red... Can the Komodo do beauty natural colors? Everytime I think of this footage I remember the colors being tan, green yellow or neutral looking.

I'm quite confused here. I don't understand the issue with any creative person being able to make the image look exactly the way they want. That is literally the point of being a cinematographer, and acting as if these quotes are to be mocked as uninformed is a bit rude. Yes studios & distributors sometimes make dumb decisions, but to pretend these folks don't have a valid stake in the game is also a bit cynical. I'm all for 1:1 realism no tone mapped HDR in cases where it's appropriate (there's some beautiful HDR tours of Tokyo on RUclips that go well over 1,000 nits reference!) and I'm sure VR applications could use it as well. But just like how high framerates aren't always better, higher number contrast ratio isn't always better either. We're trying to make art, not a matrix you jack into. (Sometimes we are trying to make that though!) I just watched "Tales From The Loop" the other day, a series carefully filmed to look like a hand painted picture book by the famous sci fi artist who wrote it. The HDR was subtle, and it was gorgeous. The way an image is formed to represent a memory, or idea, or story is a critical part of this creative process. "Creative intent" must be maintained, whether people use it to make movies you like the look of or not.

Hi pops IT look s good I owuld like to know how you graded the Prores 444 in davinci resolve if possible you can just tell me the COlor space transform settings you used. THank you

Cảm ơn Ông Jon Pais đã quay video clip này. Nhờ đó, tôi thấy được những người hàng xóm thân thương và cảnh sinh hoạt của xóm Trung Dũng. Tôi vẫn còn thấy được Bác Tiểu đang đi chợ... và nhất là thấy lại được hình ảnh gia đình tôi trong đám tang của Bố tôi. Rất rất cảm ơn Ông ❤❤❤❤❤❤❤❤❤❤

It looks so good. Did you do any noise removal? I'm shooting on a Komodo as well and been getting a lot of noise even on outdoors after grading. Not sure what I'm doing wrong.

What Happens when you add a Film Grain effect to this footage.

wow, so cinematic!! amazing

Such a wasteful video, he didn’t even show how to use curve lol

I watched this on my phone.

thanks man

both quite impressive looks like vistavision

B was sharper , more inky color like film

What were your camera settings here? PP7 Slog2 with ITU709 Matrix +1.5/+2.0 stops?

Hi and thanks for sharing!

Hey! This looks amazing. If you don't mind me asking, what shutter speed did you use?

Thank you for uploading hdr so we see less RUclips compression. Which hdr monitor do you use?

Great tones!